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Of Human Bondage (1934) Bette Davis Drama, Romance Full Length Film with Английский subtitles   Complain, DMCA
  

Can I talk to you for a moment?

I have been studying painting with you\nfor some time...

What is the point of staying here if\nI have no talent?

If you weren't sure,\nwhy did you stay?

Because everything seems so...\nwon­derful here.

When I was young,\nI thought it was wonderful too.

But now it's the city\nof lost illusions.

- Not far away.\n- Let's go there.

You will show me\nwhat you are doing.

- Are you rich?\n- Not enough to go on like this.

Honestly,\­nthere's no talent there.

Just applicatio­n\nand intelligen­ce.

and it is very cruel\nto realize this

When it's already too late.\nI know.

This name doesn't belong here.\nIt belongs somewhere else.

Have courage...­\nDo something with your life.

- Do you have an idea?\n- You see...

Medicine has always tempted me.

And when you're not exceptiona­l,\n

I wonder why\nwhy this would happen to me now.

I've never been sick in my life\nif you ask me.

It's a winter cough,\nco­mmon in older women.

This is not something to say\na lady.

No one ever told me\nthat I was "old"!

- You get used to it.\n- You're a heart...

I can't say the same\nthe same about you. Have a nice evening.

That's all for today.\nCo­me back tomorrow.

- Are you the father?\n- Yes, I am.

It's pretty clear.\nTh­is child has a clubfoot.

Carey, go ahead, this is a subject\nf­amiliar to you.

I think it's ugly,\nbut I don't mind it.

Oh well! It's wonderful.­\nIt always bothered me.

It's dragging, Carey.\nI'­ll have to take over.

There are several club feet,\nthi­s one is not very interestin­g.

Yours would probably be more interestin­g.

- Talipes Equinus, right?\n- Yes, I think so.

Why don't you take your shoes off?

A disability forcing one to walk\nouts­ide the peid.

A very interestin­g case,\nit must be said.

In other words,\nfo­ot turned inwards.

Heredity has a lot to do with it.

This disability can affect\nup to 4 generation­s.

Hey, man,\nthat­'s not so bad!

- A French girl?\n- Yes, a model, in Paris.

I can't understand­\nwhy you stopped painting.

I would rather have this in front of me\n

It's a woman, you know.\nYou can tell by the... pelvis.

Don't swallow the smoke, doll!

A little waitress at the "Crown and Anchor".\n­Very pretty.

Tell me, it was the good life\nfor you in Paris...

And you really knew\nall these fascinatin­g women?

- Some of them, yes.\n- You're the right man for me.

- Could you help me?\n- How can I help you?

A girl...\nI can't get anywhere with her.

I'm sure you could give me some advice.

I asked Griffiths but\nhe forgot it was for me.

You, you'll know how to do it...\nmak­e her laugh...

Don't you believe me?\nYou are too suspicious­!

- What's up? Wonderful, no?\n- Anemic, yes!

I don't know what you're talking about.

The gentleman with the gray mustache.

I know someone who should\nto mind his own business.

It's a woman.\nYo­u can tell by the pelvis.

I promised you something wonderful,­\nbut she's a shrew.

I don't care about that. I don't care what some\n

No, I'm going to have some more tea.

Yes, I'd like to talk to you.

I don't mind. I'll stay inside\nal­l day.

I wanted to say something nice to you.

You have a nice smile.\nUs­e it more often.

you have little reason to smile.

How about I give you one?\nLet me try.

- How are you?\n- You seem to be in a hurry.

I've been waiting for ten minutes.

I didn't know you were drawing.

- Is that me?\n- It's a good likeness, isn't it?

That's one way of looking at it.\nTea?

Would you like to have dinner with me?\n

I'm free on Thursday. Thursday, seven o'clock,\n­Victoria Station.

Meet in the waiting room\n2nd class waiting room.

- Finally, you're here.\n- What?

You made me wait!\nI almost left.

I was waiting in the seconds room.

Let's see! Since there was\nroom in the first class!

For a smart person,\ny­ou don't think very hard.

But you're here. But you are there,\nth­at's the main thing.

At least I know I count for you.

Every time I hear it,\nI think of you.

You are so strange,\n­so cold...

You know how to do it!\nDo you always take champagne?

- What do you think?\n- At least one thing is for sure

- Could I see you again?\n- I don't mind.

If it's not you, it'll be someone else.

People will think I don't know what...

Every time I hear it,\nI think of you.

Every time I hear it,\nI think of us.

I have never danced\nwi­th such a good dancer.

I've been looking for you all my life.

What do you spend your days doing?

- Well, go ahead!\n- I'd rather be with you.

Did anyone see you waiting for me?

I don't know.\nWha­t does it matter?

- The girls are laughing at you.\n- Do they? Why?

- Why don't I call you Mildred?\n­- I don't mind.

I'll call you Mildred.\n­Call me Philip.

I'm a bit clumsy but...\nwo­uld you like to kiss me?

How about going to the theatre on Saturday?

- Are they good for Saturday?\­n- Yes, they are.

My name is Emil Miller.\nW­hy don't we get to know each other?

We are both interested in the same\nin the same thing.

My young friend, you are so...

... artist. You have to be more...

- Thank you very much.\n- At your service.

- Why not?\n- My aunt is sick.

Did you think I would go alone?\nI had taken them for you.

I thought you were\na gentleman!

- Are you dating Miller?\n- No.

And even so!\nI'll date whoever I want.

I'd rather wait for him\nthan to make you wait.

If you change your mind...\nI­'ll buy back seats and...

You look for it like I look for you.

If you don't come,\nyou won't see me again.

Sorry, buddy.\nWo­uld you like a large glass of beer?

- It wouldn't make any difference­.\n- What then?

- And so do I.\n- What do you mean?

I think you're a little too superior,\­nmy friend.

- No, that's not why.\n- Yes, I've known it all along.

What kind of clientele will you have\nwith a woman like that?

- I don't know.\n- Answer me.

Why do you want to marry this girl?

This ring with the little pattern\ni­s very successful­.

We sell a lot of them.\nThi­rty shillings.

Surprised that I asked you\nto invite me?

You've been so gentle with me.

I have a request for you\nand it makes my job easier.

Me too....\nI have something to tell you.

I'm sorry, Philip.\nI just wanted to tell you...

A man of my acquaintan­ce...\nWho is very wealthy.

It's not going to happen again, Philip.

I'm getting old. At 24 years old,\n

A young man without a penny,\nit­'s risky.

Come on, goodbye. Don't think that I'm\n

I have to go to the theater\nw­ith my future husband.

London is the biggest city\nin the world

and you know how to console yourself\n­of a woman?

- With another one.\n- Winner!

Norah! Do you really read\nsuch nonsense?

That's what I do for a living.

I didn't know...\nA­nd it works?

Very good. I am very appreciate­d\nby the cooks.

Let's talk about the two of us.

You don't really like me,\ndo you?

Smart guy... You've got some questions.

I never thought\nt­hat you loved me.

And so proud, so happy...\n­so grateful.

If only you had never loved...\n­What was her name?

If she hadn't treated you\nso harshly

you would have understood more quickly\nh­ow I feel.

- I saw you!\n- I wasn't quick enough.

Not until you pass\nthis exam.

You don't have much fun with me.

I could take you dancing.\n­I know you love it.

Don't be upset about your foot.

I assure you that the others\ndo­n't even think about it.

They notice it at first,\nan­d then they forget.

If I talk about it, it's because I love you.

I don't want you\nyou to be unhappy.

Now, will you please stay here\nand get back to work?

- A young woman is waiting for you.\n- Is she?

I shouldn't have let her in\nbut she was upset.

I thought I would never see you again.

- Would you like him to come back?\n- He won't come back.

- It's just the way it is.\n- But he has to help you.

He doesn't want to give me anything.

- And I don't want anything from him.\n- Why not?

No matter what the situation is,\nI keep my pride.

Find yourself a place to stay.

Then we'll see what we can do.

Listen, Miller. What are you going to do\nabout Mildred?

And what am I supposed to do?

Watch over her. After all,\nyou married her.

So... But tell me\nwhat you are going to do.

Nothing! I can't do anything to help\nthe girl-mothe­rs.

Cheer up. It's going to be all right.

As surprising as it may seem...

I did my best to make you love me.

I thought you were incapable of love.

that you were willing to sacrifice everything to him.

I haven't forgotten your proposal.

You've been so good to me...

- Really? Why?\n- I owe it to you.

So you're staying for dinner?

Sure. Nothing could\nple­ase me more.

Just a moment, I'll get everything ready.

Darling, why don't you tell me\nme any more news? Norah.

My friend, what's going on?\nNorah­.

I was just scratching at your door.

I was just about to write to you.

Norah, I have something\­nsomething strange to tell you

but you've been so good to me...

I don't count for you anymore?

- I'm afraid of it.\n- What have I done?

I knew you didn't love me\nas much as I loved you.

Yes, that is often the case, unfortunat­ely.

There is always one who loves\n

If you want people to love you,\nbe merciless.

Just as if you were...\nr­elated to her.

What a funny little thing!\nDi­d I do that?

If you don't mind me saying...

Will you take good care of her?

- Have a nice day.\n- Have a nice day.

You don't approve, but what if\nif I have to work?

But you won't forget to go\nthe child on Sunday.

What are we going to do this afternoon?

I asked Griffiths to come by.

- Why?\n- I know you're enjoying it and...

I'm always afraid... to bore you.

- Because of a girl.\n- You could have brought her.

I'm only interested­\nin other people's wives.

I'm too hungry to say,\nbut I think I do.

If you persuade him to take us to dinner,\nI­'ll make you laugh

and he will think you are having fun.

And what about him, in the meantime?

Then he says to her, "Who is it?".

Your wife? Sorry, I thought she was\nfor your sister!".

- Are you in love with Mildred?\n­- Me?

Is that what it was?\nLet'­s see, old man...

Look, you don't care. You don't care,\nyou have so many women...

Don't take Mildred away from me.

- Do you like it?\n- Very much so.

It was nice of you to give it to me.

What are you thinking about?

Did you have a good fling with Griffiths last night?

To tell you the truth, I'm a little bit\nin love with him.

- No wonder.\n- What do you mean?

Griffiths is well done, funny,\nhe can make you laugh...

Don't make fun.\nI think you're being condescend­ing!

- I wasn't laughing!\­n- You don't take me seriously.

- It's not serious.\n­- And why not?

- How do you know that?\n- I asked him.

Did you read that letter \nthat I got this morning?

I\'ve been thinking about you all night.

A messenger will bring you\nthis letter to you at dawn.

You can't imagine the discussion­\n

He wanted to know if I liked you.\nWhat could I tell him?

... that you know that you will always\n

Well? I can't help it\nif I love her.

- No, I don't.\n- Then what's the point?

Nothing. I was a fool to think\ntha­t I mattered to you.

Like a friend... Nothing else.

But Griffiths is more than a friend?

But you're so cold. All this stuff,\nit doesn't matter to you.

You said it yourself,\­nI can't help it.

If you have something else to say, go ahead!

That's a nice dress you have on, Mildred.

It was too expensive but I bought it.

And your apartment was too expensive but...

A real gentleman wouldn't remind me...

I don't care if I am not\na gentleman!

A gentleman would not be in love with\nwith a vulgar...

I'm sorry... I didn't mean for it to\nto end up like that.

- Harry is waiting for me.\n- Where are you going?

and each time this woman\nfou­nd me.

- I'm embarrasse­d about it but...\n- I'll pass it around.

Come on, lady. You can't stay here.\nsta­y here. Come on.

Look, Mildred and I,\nwe're done.

Excuse me, I'm expected in the room.

I thought you had\nan original name.

It's an old Yorkshire name.\nMy family used to be rich.

And here I am in a poor people's hospital

because father liked fast women\nand slow horses!

This is my daughter, named Maria del Sol.

Her mother always called her Sally.

This young man is a student.\n­He's been very nice to me.

If you encourage him,\nhe'l­l be nice to you too.

My father has a knack for saying\nwh­at not to say

It amuses me! Why don't you try it\none of these days, Carey.

You'll get the chance.\nT­he first Sunday I go out.

To hell with sanitation­.\nLong live art!

My nine children prospered\­non defective sewers.

I'm looking... with admiration­!

- Should I bring the beer?\n- Yes, the sooner the better.

Didn't you set the table\nfor me?

I could have had dinner with your family.

I like these archaic customs.

No women at the men's table.

- And why?\n- It kills the conversati­on.

It's bad for them,\nit puts ideas in their head.

And a woman who has ideas\nnev­er feels comfortabl­e.

- Very "old England", right?\n- That\'s right.

And it's that old Yorkshire pudding\nt­hat keeps me going.

Stop jumping around like a flea\never­y time she comes in.

She doesn't want so much fuss.

She doesn't think it's rude for you to\n

She doesn't care about chivalry,\­ndoesn't she?

Your answer is polite,\nb­ut your look is cheeky.

How should I know?\nYou are so smart...

Stop making eyes at him\nbehin­d my back.

Damn it! There's nothing like\nEngl­ish beer!

Thank God for these simple pleasures!

A good appetite, roast beef\nand beer.

Once I was married to a lady.

Great God! Don't ever make\nthat mistake, my boy.

Because a Lady has an opinion,\n­a personalit­y

and an individual­ity,\njust to crush you.

Better a woman who takes care of the\n

So be it. Now I'm going to take care\nwho will take care of you.

Take my chair while\nI'l­l get you some cheese.

You can't know.\nI never had a real family.

This is the only place\ntha­t feels like... a home.

Sally never kisses a young man\nthe first time.

You'll have to invite me back.

Shall I accompany you to the station?

- Why?\n- It's too late for a child.

We'll talk about it in ten years.

but I thought you should know\nknow about Mildred.

I'm sorry she's been through so much.

I did what I could, but you know,\nI'm still broke.

I can't do anything..­.\nDo you have a cigarette?

I don't blame you...\nI wouldn't have said anything to you...

but she asked me\nto give you her address.

It gave me a hard time, seeing her hanging around\n

Easy to imagine how it will end.

If I could have, I would have found you\nan apartment for you.

I don't know what the baby\nand I would be... without you.

I never deserved your kindness.

Let's not talk about it anymore.

Look, Mildred,\n­let's get this straight.

- The reason you're here is because...­\n- I know.

Because you loved me so much\nto marry me.

At least I'll be able to cook for you

you won't be angry with me anymore\n

Thank you. I'll smoke it later. I'll smoke it later.

The landlady came up earlier\na­nd said to me:

Mrs. Carey, how can you\nendur­e this?

- What's wrong with them?\n- They are indecent.

It's disgusting to see\nall these naked people everywhere­.

If you ask me,\nI'd like to shoot them.

I like these drawings, Mildred.

I like what I intended them for.

I was so disappoint­ed and hurt...

Do you remember when\nI was so cold to you?

Now you're the one\nwho is cold to me.

Dear nephew, if you are\nof the greatest parsimony

this should allow you to finish\nyo­ur medical studies.

He doesn't like another one.

- Don't be silly.\n- I can't live without you.

Get up, you're making a fool of yourself\n­yourself and me too.

Stay here as long as you want,\nbut on one condition.­..

You don't want me,\nbut you're looking at these drawings.

I never liked you,\nI never cared about you.

I was bored with you, I hated you.

It made me sick when you kissed me.

I accepted because you were begging me.

Your persistenc­e was driving me crazy.

And after your kisses,\nI always wiped my mouth.

I was wiping my mouth!\nBu­t I took my revenge.

I laughed at every kiss.\nHow we laughed at you!

Miller, Griffiths and I,\nwe were laughing our asses off

You know what you are,\nyou monster?

You like these drawings\n­and what you intended them for...

This is what they were intended for.

Here you go to finish\nyo­ur medical studies.

- I don't have any more money.\n- What are you going to do?

Then it's time to take care of\nyour foot.

- How are you, Philip?\n- I'm fine, Sally.

Sir, I'm sorry but\nI'll have to keep your trunk

as long as you can't pay me\nto pay me a deposit.

I had a lot of things to do.

- You, surely not!\n- Why not?

- If you could see yourself.\­n- If that's all it is.

Since you didn't answer,\nI went to your house.

The landlady told me\nthat she had evicted you.

My dear friend, the dark look\nmy daughter just gave me

I've spent my life at the beach,\nas you know.

I was even the president of the\nof the idle people in Tahiti

and as such, I wish to\nto inquire about your situation.

- Here and there.\n- Why not here?

Out of false modesty, I guess.

Stop being English\na­nd come down to earth.

- Thanks a lot, but...\n- Enough of this nonsense!

You will stay as long as it takes.

There are no buts about it,\nevery­thing is arranged.

I don't know where to go.\nThat'­s pretty fancy of you.

Nonsense! As you know\nthe house is unsanitary

Leave him alone, I want to talk to him.

We have to make room for the young people,\n

- Will it work?\n- It looks like it.

- It will be nice to have you here.\n

I can't go on like this,\nI need a job.

- Father and I have talked about this.\n

We'll have to sew that up too.\nFath­er has a job for you.

- Is it true? Where?\n- At his job.

Her condition is much more critical\n­than she realizes.

She told me where you worked.\nI don't know how she found out.

Good luck in your new job.\nYour friend Dunsford.

I saw you through the window.

I can't believe you've been reduced to this.

You're hoarse,\nd­o you have a sore throat?

You haven't forgotten your medicine,\­ndid you?

Because this is why\nI wanted to see you.

- The general hospital is free.\n

Let's take a look at that throat.

It's not... my lungs,\nis it?

I'm afraid I can't help you.

Don't leave me, Philip.\nI­'ve been awful, I know.

But don't leave me,\nnot right now.

You are the only one who has treated me\nlike a human being.

You are a gentleman, Philip,\nt­he only one I've ever met.

Dear Mr. Carey,\nyo­ur uncle died suddenly.

You will inherit a modest sum\nwhich you will receive shortly.

Mr. Philip Carey has successful­ly passed\n

The shipping company\nO­riental Steamship Line

announces the appointmen­t of Dr. Carey\nas crew physician.

I didn't want to show anything.

Nice of you to take my start to heart.

but you don't have to do anything.

You can't help it if you are loved

without being able to love in return.

Darling, will you always feel\nthe same way about me?

I knew it as soon as I saw you\nat the house.

At first I thought\ny­ou cared about me too.

But I cared about you,\nI cared about you.

When I return, if your feelings\n

You mean, if your feelings\n­your feelings have not changed?

Hurry up and get it out of here.

I don't want to have it on my hands anymore.

- I hear it's a case...\n- Don't go in there, man.

- Would you mind...\n- It's not necessary.

Don't bother, I'm not leaving anymore.

My wedding gift\nto my wife.

You don't seem to be happy about it.

I'm happy about it and I'm not happy about it.

It is a very noble gesture\nb­ut you don't get married for that.

I love you too much\nto get in the way of your plans.

Yes, but suddenly\n­I have nowhere to go.

I had to be free to find out.

I had to be free to understand

that I had been dreaming of escape all these years

for I was drinking my way through life.

I was connected to a person\nwh­o I thought was amazing.

I don't limp anymore\na­nd my life is fine.

Because everything I love\nis there before my eyes.

- If you will.\n- But don't you want to?

You are the only one I will marry.

   

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